Libertarianism, Phil Dick, and the New Yorker
Brian Doherty | August 13, 2007, 6:48pm
What do those three things have in common? Eh, not much. However, a smart review essay on Dick by Adam Gopnik just appeared in the New Yorker. I think Gopnik gets Dick's virtues and faults pretty much right, and while doing so nails my own occasional old school SF geek resentment of Dick's "special" status in the past few decades among hipsters and literati.
The libertarian angle comes in in Gopnik's last lines. Though neither author nor topic are libertarian, this conclusion struck me as a poetic evocation of a certain spirit among radical libertarians, worth recording:
The vision of an unending struggle between a humanity longing for a fuller love it always senses but can't quite see, and a deranged cult of violence eternally presenting itself as necessary and real-this thought today does not seem exactly crazy. The empire never ends.
Taktix® | August 14, 2007, 7:49am | #
Your last paragraph reminds me of my sophomore year in high school, which I think is the high point of interest in SF for most people.
Unless of course one enjoys reading the aforementioned genre, in which case one can study said genre well into college.
I would say that of all the literature classes I took (which was many as an English major), Sci-Fi Literature was by far the most interesting. The genre has a critical mass of existential philosophy, practical science, and anthropology that I was unable to find in most other genres.
That being said, the books most profound often didn't involve aliens with ray-guns and flying saucers. For a good example, check out "Down and Out in the Magic Kingdom" by Cory Doctorow.
When discussing Science Fiction in this sense, Dick was an innovator in that he really turned what used to be lab reports injected with a narrative into actual literature. (Not alone of course, props to Herbert and Heinlein)
As a medium for discussing things that, in a real life context, are taboo to discuss (60's race relations touched upon in Star Trek, for example), the genre allows some real discussion before the naysayers get wind of it.
For instance, the show Firefly had strong libertarian elements that were not exposed until the subsequent movie was released. By then, fans of the show had enough ammunition that when the denouncers came along, they were able to fend them off.
Damn, I gotta switch to decaf.