When Imaginary Worlds Collide
Jesse Walker | July 10, 2007, 9:45am
Juliusz Jablecki
contrasts the libertarian fiction of Ayn Rand and J.R.R. Tolkien. I can't completely endorse any essay that looks to Hans-Hermann Hoppe for its model of a free society; and I've never read
Atlas Shrugged, so I don't know if there are passages in the book that undermine Jablecki's thesis. But this rings true for me:
Tolkien's novel also ends with a theme of rebuilding the world, a promise of setting things straight, bringing back the right order of things. It begins, however, in an entirely different way: not on the platform of a huge railway station, nor in a big factory, nor in a beautiful palace. The Lord of the Rings begins in the Shire -- more precisely in Hobbiton, a small village peopled by hobbits, unobtrusive, somewhat clumsy, little creatures, whose straightforward and rather friendly nature makes them very similar to humans....
In Atlas Shrugged [the protagonists] are exceptional and it is precisely because of that quality that they became characters of the novel. Each of the Atlases is unblemished, pure, proud. Every detail of their physiognomy speaks of genius and magnificence. The Übermenschen do not simply move: they make motions full of charm and elegance. They do not simply work: they craft, always with passion and enthusiasm. They never get tired, weary or bored with what they do; they have no families, no children, no obligations; they are frightfully rational; they live only for themselves and for their occupational passions. If they happen to be businessmen, they never own little family businesses; they run huge corporations, ironworks, mines, or railway companies. In Rand's novel there is no place for moderation and inconspicuousness. Only that which is huge and effective deserves praise and attention.
Completely different, more human-like, are Tolkien's characters....There are men in The Lord of the Rings, to be sure, but it is the hobbits who resemble real humans the most -- they are rather clumsy, neither exceptionally smart, stout, nor courageous, but good, sociable, faithful and generally cheerful. The most important characters in Tolkien's novel are actually anti-heroes -- they try to stay away from the world of big politics; however, when fate throws them in its very middle, they act bravely and ultimately bring salvation.
A few years ago, writing about "Leaf by Niggle" -- my favorite Tolkien story, both shorter and deeper than
Lord of the Rings -- I made a
similar point: "Niggle is, in his ground-down way, an individualist hero -- smaller, realer, and altogether more interesting than the boring supermen favored by another sort of libertarian."
Bonus question: Whose sex scenes are creepier, Rand's or Tolkien's? Before you object that Tolkien didn't write any sex scenes, pick up
The Two Towers and turn to book four, chapter 10.
Fluffy | July 10, 2007, 11:21am | #
"Tolkien's novel also ends with a theme of rebuilding the world, a promise of setting things straight, bringing back the right order of things."
This is, simply, false, and the manner in which it is false demonstrates why this guy doesn't understand Tolkien. [Since he doesn't understand Tolkien, his comparisons to Rand are immediately inapt by definition.]
LOTR does NOT end with rebuilding the world and setting things straight. It ends with the explicit knowledge that the world can't be rebuilt and can't be set right. Tolkien's entire universe [as should be clear when you include the Silmarillion] starts out perfect and gradually decays from there, in a recurring cycle where the forces of good struggle to maintain a stasis, while evil strives to undo it. Evil is periodically dealt a huge defeat, but only at the price of the very stasis good hoped to protect.
And as for apparent libertarianism in Tolkien, look at it this way: Tolkien's creation myth essentially makes existence the result of
choral music among divine beings. One of those divine beings decides he doesn't want to be part of a chorus, but wants to sing his own individual music. That act damages existence and creates evil. To Tolkien evil and discord are synonyms. That doesn't sound very libertarian to me. Later acts of mythological individualism are equally destructive. Feanor and Al-Kharazon the Golden are individualists who refuse to passively accept the role assigned to them by the divine order, and fuck things up specifically by seeking knowledge or by refusing to allow themselves to be victimized.
Sorry for all that, but I'm both a Tolkien nerd and a Rand nerd, which means that essentially I'm the world's biggest possible nerd, unless someone out there beats me by combining Rand, Tolkien, vampires, and open source software.
Barliman Butterburr | July 10, 2007, 1:41pm | #
Excerpt from: http://www.bookrags.com/notes/two/PART22.htm
Book 4, Chapter 10
Sam sees Frodo's sword on the ground and he charges at Shelob with it. She is surprised as he blinds one eye and then a second. Sam slashes her body and her venomous blood seeps out. Sam clutches the blade as she jumps at him, and lets the weight of her body impale herself upon the sword. She shudders and Sam reels in the stench of her filth. She stares at the hobbit with her many eyes and fears that her death has begun. He chants elvish words that he does not know and struggles to his feet. He breaks into a new rage and begins to attack her eyes some more. She hobbles to a crack in the earth and slips in ide leaving a trail of blood behind. Sam collapses next to Frodo and begins to cut the web from his body. He searches for breath or heartbeat and hears nothing. "'Did I come all this way for nothing?'" Book 4, Chapter 10, pg. 427
Sam is silent for a moment and thinks that he must carry on the quest, even though he fears it. He does not want to leave his friend's body and wonders if he is even right to take the Ring. He stoops and kisses Frodo's forehead, wiping away his own tears. He slips the necklace of the Ring around his neck and takes the phial of Galadriel. Stepping into the dark tunnel, he soon finds himself near its end. He sees that orcs are coming and slips the ring on his finger to avoid being caught. Sam realizes that Frodo is the true Ring-bearer and feels that a terrible fate has befallen him. The orcs lift the body and go running through the passage, afraid of Shelob. Sam tries to follow them but has trouble keeping up with the pace.
Near the top, Sam hears the captains arguing over Frodo's body.
Some think that it is elvish. One of the orcs talks about fearing the Nazgul. He wants to be rid of the leadership of Sauron and wishes he had never come back. They talk about the impending war and wish that they had no part in it. The Nazgul told them that something was going to try to get into the gates near Minas Ithil. Two of the orcs argue about whose job it was to watch the stairs. They have seen Gollum before and decide that they should no longer interfere with Shelob's hunt. One orc says that something hurt the creature and is still lurking in the tunnels.
Sam listens carefully as the orcs realize that there must be another enemy near them because someone had to cut Frodo's cords. One of the orcs doesn't agree with this. They look at the body and make sure that all of his possessions are recorded. One orc thinks that the dead body is no good but another reminds him that Shelob's venom merely makes a body seem dead. She likes to feast on live meat. Sam comes to the grim realization that he has let Frodo become captured and almost abandoned him. The orcs want to have fun with the prisoner and Sam gets more frustrated as he tries to figure out how he is going to get into the fortress. He catches up with the orcs and listens to their singing. He cannot follow them through the doors.
"The great doors slammed to. Boom. The bars of iron fell into place inside. Clang. The gate was shut. Sam hurried himself against the bolted brazen plates and fell senseless to the ground. He was out in the darkness. Frodo was alive but taken by the Enemy." Book 4, Chapter 10, pg. 446
So his steel rob fleshed itself in the dark recesses of Shelob? I guess it's sexual, but did Sam therefore bring home an STD for poor Rosie Cotton? Although I do admit that sometimes during the height of passion I too recite words whos meaning I do not know...